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Connecting to the Museum’s Existing Collection:

 

Georg Kolbe’s Verkündigung embodies a tension between modernism and the human form. By temporarily wrapping the sculpture in black, the work reconfigures its form and weight, shifting it from a static relic into a living presence. This gesture suspends visibility in order to intensify perception, inviting a renewed dialogue between the sculpture, its space, and its time.

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The intervention reflects my ongoing interest in how visibility, absence, and spatial tension reconfigure the ways we engage with historical forms.

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unlike fabric, which is symbolic and cultural, black film is reflective and resistant — absorbing light instead of breathing it.

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